Jack Moulton
Head of Platform Content at Letterboxd
Head of Platform Content @Letterboxd 2025 in film: https://t.co/WTw8QF7iug
Articles
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1 month ago |
letterboxd.com | Matt Goldberg |Mia Lee Vicino |Jack Moulton |Jeffrey Reddick
We’ve all felt it at one point or another: the creeping sensation of nervous dread that everything in a mundane situation could go wrong and spell our doom. Maybe we feel it when boarding an airplane, or perhaps it lingers in the pit of our stomachs as we step onto a roller coaster.
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2 months ago |
letterboxd.com | Rafa Sales Ross |Gemma Gracewood |Jack Moulton
Thermometers indicated a whopping -9 degrees Celsius by the time eager fans began to line up outside the hotel that houses the Berlinale press conferences. The ice-white skin of vampire Edward Cullen on creased posters beautifully mirrored the thin layer of snow that covered the bobble hats and scarves of already shrieking festival-goers—and that was six hours before RPattz was scheduled to arrive.
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Sep 24, 2024 |
letterboxd.com | Mitchell Beaupre |Jack Moulton |A Fistful
While Edgar Wright made his feature debut in 1995 with the little-seen A Fistful of Fingers (less than 5,000 Letterboxd members have marked it watched), it was his sophomore effort, Shaun of the Dead, that blossomed him into the stratosphere (over 1 million logs for that one, for what it’s worth).
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Sep 13, 2024 |
letterboxd.com | Justin LaLiberty |Jack Moulton |Big Picture |Big Trouble
“Fuck DVD” is how Kevin Smith chose to begin the Criterion Collection LaserDisc commentary for his third feature film, Chasing Amy. At the time, heading toward the end of the 1990s, home video was in a state of flux, ebbing and flowing between the hoard of general consumers clamoring for sell-through-priced VHS tapes and ardent home theater junkies eager to acquire the latest and greatest technology to show off the superiority of their deluxe systems.
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Sep 11, 2024 |
letterboxd.com | Jack Moulton |Ella Kemp |Mitchell Beaupre |Big Eyes
We swoop into a model community, an imperfectly perfect suburban neighborhood. Curvy lines that should be straight; pale faces with kooky dark hairstyles. We’re greeted by familiar credits on the screen, legends in their craft: score by Danny Elfman, production design by Bo Welch, costume design by Colleen Atwood, writing by John August. These are just a few of the many imaginations that invite you into the whimsical world of Tim Burton.
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Such mood watchers
Cardinals are now watching ‘CONCLAVE’ to get guidance and tips on how to actually do the real conclave. Many cardinals were appointed by Pope Francis and haven’t been around long enough to know how the process all works. (Source: https://t.co/FUrUoyj8CT) https://t.co/rv9MQ7gkt7
There’s such humility to the technical craft of the show, the more I think about it, the more I appreciate it
the pitt cinematographer made sure that the lighting was correct for all the actors’ skin tones. love my woke show https://t.co/VQ4FMUwRX8
my favourite part is that he preempts it specifically with the fact he's not going to fuck it up
Happy 85th birthday to the king Al Pacino! Thank you again for the greatest Best Picture announcement of all time https://t.co/xhL4x7xDFM
