Articles
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2 months ago |
artnews.com | Karen Chernick
Ronen Zien dreams about crossing over. In his moving works the artist, born in the Arab city of Shefa Amr in northern Israel, traverses time, space, memory, and even borders—conjuring in images what he can only imagine doing in reality. Zien walks up a hill on a summer morning in the early 1990s, toward a two-year-old version of himself sitting under a parasol.
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2 months ago |
artnews.com | Karen Chernick
I’m going places, Tamara de Lempicka seems to be saying in Tamara in the Green Bugatti, her iconic 1929 self-portrait. And I’ll be driving there myself. Showing the artist decked out in a Hermès doeskin cap and gloves and driving a luxury Bugatti car, the painting limns an elegantly self-fashioned woman of the Roaring Twenties.
Palestinian photojournalist Samar Abu Elouf wins World Press Photo with image of young Gazan amputee
2 months ago |
theartnewspaper.com | Joanna Moorhead |Karen Chernick |Sarah P. Hanson |Tom Seymour
The World Press Photo award winner for 2025 is announced today, but there was little air of celebration around Samar Abu Elouf when she arrived at the exhibition in Amsterdam where her victorious shot took pride of place. Its subject is a boy called Mahmoud Ajjour, then age nine and now ten, who lost both his arms in an Israeli attack on Gaza a little over a year ago. When she took the picture, Abu Elouf says, she was thinking of her own four children, the youngest of whom is 12.
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2 months ago |
artnews.com | Karen Chernick
From Renaissance Milanese court painter Bonifacio Bembo to the Surrealists and even contemporary artist Claire Tabouret (who painted her home’s ceiling with images from an early-20th-century tarot deck), tarot—a centuries-old set of 78 cards—wafts in and out of art history.
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Mar 28, 2025 |
theartnewspaper.com | Dale Berning Sawa |Chloë Ashby |Sebastian Smee |Karen Chernick
If you thought Henri Matisse an art-world staple—a true incontournable—his work entering the public domain in 2025 is only set to cement that ubiquity. He is already “everywhere”, as Charlotte Barat-Mabille, the curator at the Musée d’Art Moderne in Paris, puts it. “Especially since the paper cutouts, our visual culture has been steeped in his aesthetic, to the point where, today, we don’t even realise that Matisse is at the origin of that,” Barat-Mabille says.
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