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Jan 6, 2025 | 
glamadelaide.com.au | Jo Vabolis
Feature image credit: Allen & UnwinThe songs sung by the Yindjibarndi grandmothers and grandfathers pass down stories of creation – stories “written in the landscape,” imbued with deep significance. When the World Was Soft brings these stories to a wider audience, sharing the songs of Minkala, the Creator, and telling of the evolution of life and Ngurra (Country) in colourful, graphic-novel style.
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Jun 23, 2024 | 
inreview.com.au | Jim Plouffe |Shannon Pearce |Murray Bramwell |Jo Vabolis
It is always exciting when big names come to town, and Oscar- and Grammy-Award nominated singer Dame Lisa Simone brings with her one of the biggest musical legacies there is. As the daughter of eminent singer and songwriter Dr. Nina Simone, Lisa Simone carries the same awe for her mother as the world does, taking us through her favourite songs.
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Jun 19, 2024 | 
inreview.com.au | David Washington |Murray Bramwell |Jo Vabolis |Rachael Mead
She’s back. Better than ever. New York singer Patti LuPone returns to the Adelaide Cabaret Festival with a crisp new show featuring songs that made her name as a Broadway star, as well as other personal favourites that inspired and shaped her progress. You could say they mean the world to her. In 2010 she published a memoir of a career in music and theatre which began in the late 1960s and has continued for more than 50 years. As she wryly observes, it has even kept on going since 2010.
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Jun 19, 2024 | 
inreview.com.au | David Washington |Jo Vabolis |Rachael Mead |Murray Bramwell
Shots are fired at a birthday celebration. Arthur Whitney, the Great American Novelist, is dead. The nearest detective is nowhere in the vicinity, but Officer Marcus Moscowicz, a local policeman with big dreams, is ready to leap into action. Murder for Two, ‘a musical comedy to die for’, is the creation of Kellen Blair (book and lyrics) and Joe Kinosian (book and music).
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Jun 19, 2024 | 
inreview.com.au | David Washington |Jo Vabolis |Rachael Mead |Murray Bramwell
“She’s the wrong kind of trans.”Is there a right way to be trans? In the conversations about transphobia and homophobia, one often associates the issues with right-wing conservatives. Most forget the battles between the subcultures within the LGBTQ+ community. Cassie Hamilton’s ingenious new musical A Transgender Woman on the Internet, Crying confronts these complex sociopolitical issues through hyper-pop and comedic storytelling.
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Mar 17, 2024 | 
inreview.com.au | Suzie Keen |Graham Strahle |Katherine Arguile |Jo Vabolis
. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.
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Mar 15, 2024 | 
inreview.com.au | Suzie Keen |Katherine Arguile |Graham Strahle |Jo Vabolis
. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.
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Mar 15, 2024 | 
inreview.com.au | Suzie Keen |Graham Strahle |Katherine Arguile |Jo Vabolis
. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.
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Mar 14, 2024 | 
inreview.com.au | Suzie Keen |Jo Vabolis |Katherine Arguile |Graham Strahle
“Tip! Go! One, two, three…” Lycra-clad performers, each with a large “S” emblazoned on their chest, balance precariously across the top of a huge metal wedge. As they pose, crouch, scramble and leap on and off, the device rocks from side to side with increasing momentum, propelled by another performer who runs back and forth within the frame like a hamster in a wheel.
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Mar 8, 2024 | 
inreview.com.au | David Washington |David Simmons |Megan Koch |Jo Vabolis
. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.
