
Kelly Apter
Contributing Arts Journalist at The Scotsman
Arts Journalist at Freelance
Contributing Arts Journalist at The List (magazine)
Freelance arts journalist for The Scotsman and The List. Editor at Creative Lives. All views my own.
Articles
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3 weeks ago |
msn.com | Kelly Apter
Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.
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3 weeks ago |
scotsman.com | Kelly Apter
Choregraphy and score work in perfect tandem to evoke the hysteria and hatred engulfing Salem in Scottish Ballet’s revival of The Crucible, writes Kelly ApterScottish Ballet: The Crucible, His Majesty’s Theatre, Aberdeen ★★★★We can scarcely imagine the fear, confusion and ultimately violence that swept through Salem, Massachusetts during the 17th century witch trials.
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Dec 4, 2024 |
scotsman.com | Kelly Apter
Welcome to the Scotsman Sessions, a series of short video performances from artists all around the country introduced by our critics. This week, dancer and choreographer Constant Vigier performs his latest project BIG/small – The Dancing Mosaic, a multimedia piece which ‘brings dance, music and video together’There’s something fascinating about seeing the inner workings of a show, the bits we take for granted but without which the main event would be diminished.
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Aug 23, 2024 |
scotsman.com | Ken Walton |Fiona Shepherd |Kelly Apter
A triumphant performance by the BBC SSO was a Friday night Edinburgh International Festival highlight, along with a shape-shifting Natasha Khan and a sceptic-confounding Scott SilvenMUSICBBC SSO & Sir Donald Runnicles *****Usher HallConnections are the heartbeat of music programming. Here we had the age-old pairing of Mahler and Bruckner, easily identifiable by their characteristic differences, but together a spine-tingling encapsulation of Austro-German largesse.
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Aug 20, 2024 |
scotsman.com | Kelly Apter |Josephine Balfour-Oatts |Susan Mansfield |Sally Stott
Our latest round-up of Edinburgh Fringe theatre reviews includes a dazzlingly authentic account of working-class masculinity, an intriguing piece of magical realism, and a passionate protest against draconian abortion lawsRUM by Joe Mallalieu ★★★★Underbelly, Cowgate (Venue 61) until 25 AugustHoles puncture the walls. Plastic bags and beer cans cover the floor. The builders have left things in a mess.
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