
Articles
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5 days ago |
thestranger.com | Meg van Huygen
Last Friday, when the historic Virginia Inn Restaurant and Bar announced on social media that it would be closing on April 27, the post included a call to arms. The author of the message, Virginia Inn’s owner Craig Perez, asked patrons to contact Mayor Bruce Harrell and the Pike Place Market Preservation and Development Authority (PDA) to protest their notice to vacate.
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3 weeks ago |
thestranger.com | Meg van Huygen
Welcome to The Last Word, a monthly column about craft cocktails. Meg van Huygen talks about her cocktail faves—both alcoholic and not—their histories and their components, to lure you to Seattle’s dive bars and cocktail lounges that deserve your attention. Despite having lived in Seattle my whole life, I know mortifyingly little about Shoreline. There’s great food in Shoreline, of course, but I don’t drive, and taking the bus out there is usually too much of a chore.
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4 weeks ago |
thestranger.com | Meg van Huygen
I don’t know where I heard about PublicSquare, and I’m not sure why people in my sphere (including me) are just now learning about this four-year-old, not-new company. Probably because it’s stupid and who cares? But for whatever reason, all of my algorithms in the last few weeks have been bombarding me with posts about this nationwide “anti-woke online marketplace,” wherein businesses can sign themselves up to be collated into a big Trumpy database.
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4 weeks ago |
thestranger.com | Meg van Huygen
When I texted my trombone-major boyfriend to ask if he wanted to go see the Seattle Symphony perform Gustav Holstâs The Planets: An HD Odyssey with me this weekend, I received this enthusiastic, if very stoned, reply: >planets is hella sick >holst was a trombone player who was tired of being dissed by composers >so they got the cool parts with fortissississimo dynamic markings >he was like âlet âer ripâ and so the horn section just goes nuts >i wrote a whole paper at humboldt state...
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1 month ago |
thestranger.com | Meg van Huygen
Tariqa Waters doesn’t want to ruin the surprise. I’m asking for details about her upcoming solo Seattle Art Museum installation, Venus Is Missing, but I can only get hints. “Another key element, without giving too much away, is those hair baubles that we wore as kids. Where you could mess up your knuckles on them, you know?” We’re in the upstairs nook at Charlie’s Queer Books in Fremont, in the attic of the pastel Victorian dollhouse.
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