Articles

  • Nov 12, 2024 | artforum.com | Travis Jeppesen |Pablo Larios |Percy Zvomuya

    With every odd stacked against it, Venice rises to the surface as Italy’s art capitalLATE IN THE LANGUID COVID-HANGOVER winter of 2022, I had just left my university post in Shanghai and was launching myself back into freelancing waters when I received an unusual invitation via email from an artist I had never met before. Her name was Noa Pane, and she was a sculptor who had also attended my alma mater, the Royal College of Art in London.

  • Nov 1, 2024 | artforum.com | Gordon Hughes |Travis Jeppesen |Pablo Larios |Percy Zvomuya

    NOTES1. Hal Foster and Benjamin Buchloh, Exit Interview (New York: No Place Press, 2024), 5 and 138. 2. Ibid., 135. 3. Clement Greenberg, “Modernist Painting,” in The Collected Essays and Criticism, vol. 4, Modernism with a Vengeance, 1957–1969 (Chicago: University of Chicago Press, 1986), 85. 4. Foster and Buchloh, Exit Interview, 138 and 139. 5. Ibid., 84. 6. Ibid., 99. 7.

  • Nov 1, 2024 | artforum.com | Pablo Larios |Percy Zvomuya |Gordon Hughes

    Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.

  • Nov 1, 2024 | artforum.com | Percy Zvomuya |Lillian Davies |Tracey Emin |Garrett Bradley

    Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.

  • Nov 1, 2024 | artforum.com | Natasha Degen |Travis Jeppesen |Pablo Larios |Percy Zvomuya

    On the rise of the artist agentTHAT ART WAS CREATED for its own sake was our inherited ideal. For the better part of two centuries, artists and art institutions upheld this vision of art’s autonomy, elevated above quotidian life and unadulterated by base commercial concerns. Things were of course never so simple or pure; reality never quite lives up to the ideal. But the novelty of the present is only visible against this image of the past.

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