Rose Eden

1 week ago | newnoisemagazine.com | Rose Eden

On the second of two sold-out nights in San Francisco, something miraculous unfolded beneath the gilded ceilings of the Great American Music Hall. This was much more than just another band getting back together; it was a collision of timelines, a folding of decades into one electric evening. It felt like a long-held breath finally released, a force returning to where it had always belonged, not to relive its past but to reassert its place in the present.

3 weeks ago | newnoisemagazine.com | Rose Eden

There are certain cultural eras we look back on not because they were perfect, but because they were vivid. The late ’90s and early 2000s were one of them. Summer meant five-dollar matinee shows and wristbands from Warped Tour that stained your wrist longer than your retail job lasted. The Delia’s catalog was a dreamscape, glossy pages of plaid skirts and platform sandals, aspirational and just out of reach unless you’d squirreled away enough babysitting money.

3 weeks ago | outfrontmagazine.com | Rose Eden

A few weeks ago, I had the chance to attend my first Fine Arts Museums of San Francisco gala at the de Young Museum. It’s just a stone’s throw from my apartment, but that night, it felt like stepping into an entirely different world. The museum’s photo wing was cleverly sectioned off for guests, transformed into a flash-friendly playground with immersive photo booths, 360-degree stop-motion cameras, and pop-up installations around every corner. The crowd came dressed to impress.

1 month ago | outfrontmagazine.com | Rose Eden

It wasn’t just a party. It was one of those nights—the kind people reference in passing with a sly smile, like you were obviously there too. The Soirée returned to City View at Metreon in full force, soaring above downtown San Francisco with skyline views, strong cocktails, and even stronger outfits—all in support of the SF LGBT Center and its mission to uplift and serve LGBTQ+ communities.

2 months ago | outfrontmagazine.com | Rose Eden

San Francisco’s Fillmore has seen its share of legendary chaos. But few nights in recent memory packed as much youthful fire and multigenerational resonance into one room as The Linda Lindas did during the first of their two-night sold-out stand at the historic venue. Part punk show, part coming-of-age diary, and part cultural moment, this set was more than a concert—it was an evolutionary checkpoint in the rise of what might be the most important young punk band of our time.