
Shaad D'Souza
Articles
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Dec 27, 2024 |
theguardian.com | Laura Snapes |Ben Beaumont-Thomas |Alaina Demopoulos |Shaad D'Souza |Rob LeDonne |Kyle Mullin | +3 more
Tashi Dorji – Begin From Here“Strumming in opposition to the towers” is how the Bhutan-born, US-based guitarist Tashi Dorji describes his abstract, improvised music. His song and album titles are equally poetic evocations of resistance and decay – his new album is called We Will Be Wherever the Fires Are Lit and contains songs such as Meet Me Under the Ruins and Flowers for the Unsung – and the brusque, clanging strums of his acoustic guitar resound with turmoil and determination.
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Dec 27, 2024 |
theguardian.com | Ben Beaumont-Thomas |Claire Biddles |Shaad D'Souza |Jennifer Lucy Allan |Adrian Horton |Lauren Martin | +5 more
Phil Geraldi – AM/FM USAWho could read the description “truck stop concrète” and not be intrigued? The San Diego sound collagist Phil Geraldi’s two-track cassette for Not Not Fun sketches a journey across the American plains in which the glow of a gas station canopy is as integral to the landscape as the dust and cacti.
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Dec 27, 2024 |
theguardian.com | Shaad D'Souza
From LondonRecommended if you like Dean Blunt, Nine Inch Nails, SuicideUp next Debut single in 2025Most London bands are so predictable. Oh, you make “jagged post-punk”? And reflect “the malaise and ridiculousness of life online”? Cool. Join the pile. Have fun playing Wide Awake festival this summer.
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Dec 23, 2024 |
theguardian.com | Andrew Stafford |Laura Snapes |Shaad D'Souza |Michael Sun |Sian Cain |Joseph Earp | +2 more
Amyl and the Sniffers – Cartoon DarknessKey track: Chewing GumCredit to Amyl and the Sniffers for not standing still: the creative growth of this band since their self-titled debut album in 2019 has been startling. Which doesn’t mean that Cartoon Darkness sounds like anyone but Amyl and the Sniffers.
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Dec 13, 2024 |
theguardian.com | Shaad D'Souza
Felix Weatherall, the London producer best known as Ross From Friends, has spent much of his career escaping other people’s preconceptions. He emerged in the mid-2010s as the most popular face of the so-called “lo-fi house” or “YouTube house” scene – not really a scene, as much as a collection of producers making analog-sounding dance music that algorithms loved – and since then has worked hard to show he has more to offer than just supremely curated vibes.
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