
Stephen A. Russell
Writer at Freelance
Arts and Film Editor at Time Out Sydney
Scotstralian. Melbourne by way of Glasgow. Award-winning film critic, arts journo and political dork. Aboriginal land, never ceded. He/him (all snorts my own).
Articles
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1 week ago |
timeout.com | Stephen A. Russell
NewsFrom incel aliens to a Broadway tragedy, this year’s jacked SFF program has it allWritten by Stephen A RussellContributorWednesday 7 May 2025FacebookTwitterPinterestEmailWhatsAppPhotograph: Supplied/SFF | 'Together'AdvertisingCalling all cinephiles: the Sydney Film Festival just launched a huge program for 2025, and a galaxy of engrossing screen stories is set to take over cinemas across the city.
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2 weeks ago |
sbs.com.au | Stephen A. Russell
Music and the movies have always been intertwined, from the days of in-theatre piano players accompanying silent films to purpose-written scores and on. With the glittering mayhem of , let’s whizz through a few melodious highlights of our . It’s impossible to do justice to legendary musician, singer-songwriter extraordinaire, gifted producer and impeccably sexy performer Prince in a pithy paragraph. The Minneapolis-born legend transcends words and reshaped musical history in his own slinky image.
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1 month ago |
sbs.com.au | Stephen A. Russell
Between shooting the first two episodes of The Secret DNA of Us – a world-first show in which the residents of four Australian towns and suburbs are mass DNA-tested to find out more about where their family comes from – host Marc Fennell recorded his upcoming episode of “It’s hard for me to untangle those experiences, because they are so related,” host Fennell says of exploring the unexpected twist and turns of his Indian-Irish background while surprising a raft of fellow Australians with...
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1 month ago |
sbs.com.au | Stephen A. Russell
Trigger warning: Sexual abuse, violence and suicide. It’s been so long between the dramatic final of show-runner Bruce Miller’s The Handmaid’s Tale season five and the imminent finale – 2.5 years! – that the US has managed to slide considerably closer to the dystopian vision of Margaret Atwood’s prophetic source novel.
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1 month ago |
sbs.com.au | Stephen A. Russell
American auteur Steven Soderbergh is a remarkable man. More often than not, he acts as his own cinematographer and editor (under the pseudonyms Peter Andrews and Mary Ann Bernard respectively) and is one of the few individuals to score an Oscar nomination for Best Director for two separate films in one year. He won it for drug trade drama Traffic in 2001, beating himself with the Julia Roberts-led legal activist biopic Erin Brockovich.
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