Imaging Resource
Established in 1998, Imaging Resource is dedicated to guiding photographers towards enjoyable experiences with their cameras. Over the years, we have evolved into one of the biggest photo news and review platforms online. Here, you'll discover detailed reviews supported by comprehensive lab testing, along with a wide array of photo news coverage.
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Articles
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1 week ago |
imaging-resource.com | David Schloss
B&H Photo is in the midst of their BILD show for photogarphers, videographers, and creators. To celebrate this massive photo event, they have discounted hundreds of items on their website. Below is a list of the most popular items on sale.
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2 weeks ago |
imaging-resource.com | David Schloss
Fujifilm's new GFX100RF is a camera that evokes a golden age of photography, but it’s both powerful and confusing all at once As a medium format camera with a compact, Leica-like body, the GFX100RF blends analog-style controls with cutting-edge tech at least on paper. But Fuji also makes head-scratching decisions that may leave photographers torn. It's a particularly strange camera to have used.
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3 weeks ago |
imaging-resource.com | David Schloss
The first half of 2025 saw a rush of video-centric camera launches. The Sony FX2, Panasonic S1 II, and Nikon Z5 II are designed to capture pro-level video but approach video tasks differently. Since the Sony a7C II is incredibly similar to the recently announced Sony FX2, and since we just finished testing the a7C II as a studio camera solution, we through that into the mix as well.
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1 month ago |
imaging-resource.com | David Schloss
In the ever-expanding landscape of creator gear, audio remains one of the most critical compoents of video quality. People will watch a video with mediocre image quality, but they'll jump away as soon as they hear bad audio. For streamers and talking head videos the look of the on-cameara gear makes a statement as well. Professional level gear signifies expert level opinions.
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1 month ago |
imaging-resource.com | DL Byron
After comparing countless mirrorless systems, one thing is apparent. There are no perfect cameras. You might fantasize about combining Olympus-level ergonomics, Sony dynamic range and low‑light prowess, Fujifilm natural color science, and Sigma optical precision—but the step‑up market has closed many of these gaps. The flagship mirrorless bodies of today excel across ISO performance, autofocus speed, and video features. The real question is which blend of strengths best fits your workflow.
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