London Review of Books
The London Review of Books (LRB) is a UK-based publication that features literary essays. It comes out every two weeks.
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Articles
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1 day ago |
lrb.co.uk | David Thomson
Terrence Malick is the quietest of American movie directors. He gives no interviews; he avoids talkshows and festival appearances; he doesn’t feed us stories of what he was doing and why. For decades, he has done his best to avoid being photographed. He isn’t a ‘known American’ or a spokesman for himself in the way of Scorsese, Coppola, Tarantino, Spike Lee or just about any other director.
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1 day ago |
lrb.co.uk | David Runciman
The Mont Pelerin Society was set up in 1947 with the aim of ensuring that the apparent triumph of freedom over fascism in the Second World War should instead be understood as a defeat. Inspired by its founding father, Friedrich von Hayek, whose rallying call The Road to Serfdom had been published three years earlier, the organisation believed that the price of victory had been too high.
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4 days ago |
lrb.co.uk | Adam Shatz
Hugh Roberts has died from cancer at the age of 76. Among his books were a collection of penetrating articles on Algerian politics, The Battlefield; a meticulous historical study of Kabyle society, Berber Government; and a monograph on the Arab Spring, based on pieces he’d published in the LRB. To read Hugh’s writing – whether in his books, his articles or the analyses he wrote for the International Crisis Group – is to encounter a thinker of unusual rigour, seriousness and daring.
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1 week ago |
lrb.co.uk | Tom Stevenson
The Trump court is a royal progress that moves between Palm Beach and the White House, for the most part in private planes. But the interests of the US government require that at least some of its members be willing to travel farther afield than Florida. Trump talks of putting the US economy behind a great tariff wall, but he also wants deals, which means he needs dealers. America’s official chief diplomat is the secretary of state, Marco Rubio, but so far his activities have been fairly limited.
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2 weeks ago |
lrb.co.uk | Olivia Giovetti
Ain Anger as Dosifei and members of the Slovak Philharmonic Choir as Old Believers in Simon McBurney’s production of Mussorgsky’s ‘Khovanshchina’, conducted by Esa-Pekka Salonen, at the Salzburg Easter Festival in April 2025. Photo © Inés BacherThe version of Khovanshchina that Mussorgsky left behind when he died was as messy as the history it depicts. He began working on the opera in 1872, the bicentennial of Peter the Great’s birth.
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