Amelia Merrill

Nov 20, 2024 | newyorktheatreguide.com | Amelia Merrill

It’s telling that the most cohesive musical moment of Babe, Jessica Goldberg’s new play with The New Group, doesn’t feature the original music by BETTY or the performances of fictional punk princess Kat Wonder (Gracie McGraw). Nor does it showcase an artist plucked from obscurity by Gus (Arliss Howard), a prickly yet successful record producer who just got out of sensitivity training but still rubs new hire Katherine (also McGraw) the wrong way.

Nov 15, 2024 | newyorktheatreguide.com | Amelia Merrill

In a time of turbulence and political upheaval, Pony Cam, an Australian theatre collective now performing at St. Ann’s Warehouse, knows you still have to do your laundry. Whatever else is going on in the world, your taxes, your grocery list, your friend’s birthday party, and the daunting weight of your career obligations will still be there. Pony Cam is intimate with this balancing act of adult life; their show Burnout Paradise honors the act of running out of time to get everything done.

Nov 12, 2024 | americantheatre.org | Amelia Merrill

Scenic design is not just visual but tactile, and written descriptions are no match for photo or video documentation. Accordingly, books about design sometimes lack the energy that sparks from seeing the art itself. Two new books on designers and production workers come to life not only through photography, but because they put artists and laborers at the forefront of the conversation.

Nov 6, 2024 | newyorktheatreguide.com | Amelia Merrill

Based on the 1992 film, the musical version of Death Becomes Her first came alive in Chicago this past spring. The same stars who graced the stage in the Windy City – Megan Hilty, Jennifer Simard, Michelle Williams, and Christopher Sieber — return for the Broadway run, now in performances. The movie, directed by Back to the Future filmmaker Robert Zemeckis, has developed a cult following over the years, particularly among LGBTQ cinephiles and lovers of camp and satire.

Sep 17, 2024 | newyorktheatreguide.com | Amelia Merrill

In Our Class, now running at Classic Stage Company after last season’s stop at the Brooklyn Academy of Music, Polish playwright Tadeusz Słobodzianek offers a rare piece of survivor’s art not ridden with survivor’s guilt. The exploration of how hatred and division takes hold of Słobodzianek’s childhood classmates offers equal consideration to each one’s motives, but it does not hold back when it comes to violence, guilt, and responsibility.