Elinor Hitt

Nov 22, 2024 | artforum.com | Eve Hill-Agnus |Agata Pyzik |Tina Rivers Ryan |Elinor Hitt

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Nov 21, 2024 | artforum.com | Agata Pyzik |Tina Rivers Ryan |Elinor Hitt |Editor’S Lettermoment

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Nov 14, 2024 | artforum.com | Tina Rivers Ryan |Elinor Hitt |Editor’S Lettermoment |P. Adams Sitney

the thing I came for:the wreck and not the story of the wreckthe thing itself and not the myththe drowned face always staringtoward the sunthe evidence of damageworn by salt and sway into this threadbare beautythe ribs of the disastercurving their assertionamong the tentative haunters.

Nov 1, 2024 | artforum.com | Elinor Hitt |Editor’S Lettermoment |Tina Rivers Ryan |P. Adams Sitney

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Nov 1, 2024 | artforum.com | Michael Fried |Elinor Hitt |Editor’S Lettermoment |Tina Rivers Ryan

IN THE SPRING OF 1998, Carl Belz (1937–2016) mounted his valedictory exhibition at the Rose Art Museum of Brandeis University as its director: a selection of thirty-nine works by the American painter Joseph Marioni, then fifty-five years old. I had never heard of Marioni (hereafter Joseph), but I knew Carl—we had been undergraduates together at Princeton during the late 1950s and remained loosely in touch over the years.