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Oct 23, 2024 | 
inreview.com.au | Suzie Keen |Farrin Foster |Brooke Ferguson |Louise Martin-Chew
Standing in a 1:1 replica of artist Archie Moore’s childhood bedroom, peering at his teenage sketches – many inspired by the visceral style of MAD magazine – pinned to the wall, a strange sense of vertigo begins to take hold. What starts out as an almost overwhelmingly intimate experience (because whose childhood homes do we visit as adults? Really, only those of people very close to us) spirals to a bigger and bigger scale.
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Oct 5, 2024 | 
thenewdaily.com.au | Farrin Foster
As the sun dips in Adelaide Botanic Gardens, tens of thousands of bats take flight from neighbouring Botanic Park. Throughout the garden, against the backdrop of the winged silhouettes filling the dusky sky, fluid, colourful forms begin to glow. Fifteen large-scale works by US-based and globally-renowned artist Dale Chihuly are lit from within and without, interacting in strange and compelling ways with the now-shadowy plant life around them.
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Sep 26, 2024 | 
inreview.com.au | Suzie Keen |Farrin Foster |Genevieve Meegan
In the 1964 film My Fair Lady, Eliza Doolittle (whose surname is shockingly on the nose) goes from dirt-poor flower seller to convincing a party full of rich people that she, also, is rich. In her life, Mish Grigor goes from a scrubby bogan teenagehood in Western Sydney to eating at the Ottolenghi restaurant in London (and, tangentially, becoming an artist).
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Jul 11, 2024 | 
inreview.com.au | Suzie Keen |Farrin Foster |Heidi Maier |PHIL BROWN
. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.
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Jul 10, 2024 | 
inreview.com.au | Suzie Keen |Farrin Foster |Heidi Maier |PHIL BROWN
. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.
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Jul 10, 2024 | 
inreview.com.au | Suzie Keen |Farrin Foster |John Miles |PHIL BROWN
For about 15 years now, I have been flailing about in one medium or another trying to earn out the title of “writer” that I pre-emptively gave myself in my early 20s.
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Jun 6, 2024 | 
inreview.com.au | Suzie Keen |Farrin Foster |PHIL BROWN
“All of my work is very much about centering women’s voices and stories,” says Yasmin Gurreeboo, the CEO and artistic director of ActNow Theatre. “I think most women have a history of people that they know that have experienced violence of some kind, if not themselves. So, I’ve been wanting to do this work for a long time.”When Gurreeboo became a leader of ActNow in 2021, she quickly began looking into ways the company – which has a focus on social impact – could address domestic violence.
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May 24, 2024 | 
inreview.com.au | Abdulrazak Gurnah |Suzie Keen |Farrin Foster |Graham Strahle
. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.
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May 21, 2024 | 
killyourdarlings.com.au | Alexandra Dane |Amal Awad |Eleanor Limprecht |Farrin Foster
For this round of pitches, we’re particularly interested in powerful work that engages with our difficult times. There has never been a more important time to stand up and use your voice. As a platform for writers and readers, we know the power of a voice, and are constantly inspired by our writers’ determination, passion and defiance in the face of social upheaval.
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May 17, 2024 | 
inreview.com.au | Abdulrazak Gurnah |Farrin Foster |Genevieve Meegan |Heather Robinson
. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.
