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Aug 19, 2024 | 
mdpi.com | Rodrigo Mariño |Kristen Glenister |Lisa Bourke |David Simmons
All articles published by MDPI are made immediately available worldwide under an open access license. No special permission is required to reuse all or part of the article published by MDPI, including figures and tables. For articles published under an open access Creative Common CC BY license, any part of the article may be reused without permission provided that the original article is clearly cited. For more information, please refer to https://www.mdpi.com/openaccess.
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Jul 28, 2024 | 
inreview.com.au | Suzie Keen |Graham Strahle |PHIL BROWN |David Simmons
“The Adelaide” has been passed onto a new pair of hands. Emily Sun, the Adelaide Symphony Orchestra’s artist-in-association, now has this wonderful amber-coloured violin made by Giovanni Battista Guadagnini in Milan in the 1750s. For those who don’t know, the instrument has been owned by the people of South Australia since 1955, having been purchased through public subscription.
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Jul 28, 2024 | 
inreview.com.au | Suzie Keen |Graham Strahle |PHIL BROWN |David Simmons
It’s okay to like the music of Hans Zimmer. Detractors accuse his soundtracks of being formulaic, but the fact is that the “Zimmer sound” has been synonymous with Hollywood fantasy, action and thriller movies for three decades. Those dark minor keys, pounding ostinatos and inexorable crescendos make his scores instantly recognisable – even if, for some, that might be cause enough to wave the red flag.
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Jul 21, 2024 | 
inreview.com.au | David Simmons |Edmund Black |PHIL BROWN |Genevieve Meegan
Huddled deep within the programming of the winter arts festival Illuminate Adelaide is Unsound – a cultish, boundary-pushing two-night event that brings some of the world’s top experimental musicians and performance artists to South Australia. These are artists that might otherwise not find their way to our city, least of all at the tail end of July. It’s a little treat for Adelaide’s weirdos and non-conformists, who get to sample breathtaking performance work.
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Jul 21, 2024 | 
inreview.com.au | Suzie Keen |Edmund Black |David Simmons |PHIL BROWN
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Jul 19, 2024 | 
preprints.org | Rodrigo Mariño |Kristen Glenister |Lisa Bourke |David Simmons
PreprintArticleVersion 1This version is not peer-reviewedVersion 1: Received: 13 July 2024 / Approved: 15 July 2024 / Online: 19 July 2024 (10:29:37 CEST)Mariño, R.; Glenister, K.; Bourke, L.; Simmons, D. Prevalence of General Health Diseases and Conditions Among Rural Adults. Preprints 2024, 2024071581. https://doi.org/10.20944/preprints202407.1581.v1Mariño, R.; Glenister, K.; Bourke, L.; Simmons, D. Prevalence of General Health Diseases and Conditions Among Rural Adults. Preprints 2024, 2024071581.
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Mar 15, 2024 | 
inreview.com.au | Courtney Jaye |Farrin Foster |David Simmons |Theodora Galanis
A theatre show scripted using Google searches somehow quietly transforms into a tender reflection on people and the ways they stay the same, even as technology changes. ★★★½ This confessional theatre performance by ‘serial nudist’ Frankie van Kan is a poetic and exhilarating exploration of sexuality and womanhood.
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Mar 14, 2024 | 
inreview.com.au | Farrin Foster |Courtney Jaye |David Simmons
. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.
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Mar 13, 2024 | 
inreview.com.au | Suzie Keen |Farrin Foster |David Simmons |Megan Koch
The Y2K aesthetic is firmly, and – for many of us – terrifyingly, back. And the turn of the millennium has also resurfaced in our storytelling. The resurgence of the Year 2000 is probably not only because 20-something years represents a kind of magical distance perfect for nostalgia. It’s also that the renewed fascination with the millennium reflects its formative nature. As we face the era of artificial intelligence (AI), we’re casting our eyes back to the beginnings of the mainstream internet age.
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Mar 13, 2024 | 
mdpi.com | David Simmons |Simone L Marschner |Aravinda Thiagalingam |Dharmintra Pasupathy
All articles published by MDPI are made immediately available worldwide under an open access license. No specialpermission is required to reuse all or part of the article published by MDPI, including figures and tables. Forarticles published under an open access Creative Common CC BY license, any part of the article may be reused withoutpermission provided that the original article is clearly cited. For more information, please refer tohttps://www.mdpi.com/openaccess.
