Harper's Magazine
Harper’s Magazine, America’s longest-running general-interest monthly publication, delves into the topics that shape our national discourse through in-depth storytelling and essays. It also features well-known sections like the Harper’s Index. Focusing on high-quality writing and fresh ideas, Harper’s offers readers a distinct viewpoint on politics, society, the environment, and culture.
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Articles
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3 weeks ago |
harpers.org | John MacArthur
A version of this column originally ran in Le Devoir on April 7, 2025. Translated from the French by Elettra Pauletto. I tend to avoid clichéd, simplistic comparisons to the 1938 Munich Agreement and Britain’s disastrous appeasement of Adolf Hitler.
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1 month ago |
harpers.org | Nicholas Dames
Discussed in this essay: The Deserters, by Mathias Énard. Translated by Charlotte Mandell. New Directions. 192 pages. $16.95. Mathias Énard’s The Deserters, his twelfth novel and sixth to be translated into English, bears the marks of its own interrupted composition with unusual vividness; historical events broke it open like the burst of a shell.
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2 months ago |
harpers.org | Geoff Dyer
I went home for Christmas in 2009. My mum had been feeling unwell for a while and had taken to her bed on Christmas Eve. I was sitting downstairs in the living room, reading. My dad called down and asked if I could come upstairs. She had collapsed in the bathroom. I phoned for an ambulance and, when it arrived, spoke calmly to the paramedics—a man and a woman.
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2 months ago |
harpers.org | Emily Harnett
It is roughly three o’clock in the afternoon in Assisi, and the chapel of St. Mary Maggiore is thronged with pilgrims. I hover above them, watching via a camera perched discreetly on the ceiling. The camera points down at a white casket. On the side of the casket is a window, through which I can see the body of a teenage boy: his jeans, his Nikes, his navy track jacket. The pilgrims proceed single file past the boy, who has been dead now for many years.
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2 months ago |
harpers.org | Emily Harnett
It is roughly three o’clock in the afternoon in Assisi, and the chapel of St. Mary Maggiore is thronged with pilgrims. I hover above them, watching via a camera perched discreetly on the ceiling. The camera points down at a white casket. On the side of the casket is a window, through which I can see the body of a teenage boy: his jeans, his Nikes, his navy track jacket. The pilgrims proceed single file past the boy, who has been dead now for many years.
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