PRINT

Print, a Quarterly Journal of the Graphic Arts, was first launched in 1940 as a limited edition magazine and has since evolved into a bimonthly publication focused on visual culture and design. In its present form, Print explores and critiques various aspects of commercial, social, and environmental design. It highlights the good, such as the innovative graphics transforming New York’s public-school libraries; the bad, like Tylenol’s poorly received ad campaign aimed at hipsters; and the ugly, including Russia's use of Soviet imagery to market sausage and real estate. This general-interest magazine features articles from cultural journalists and critics who analyze design within its social, political, and historical frameworks. Covering a wide range of topics—from newspapers and book covers to online motion graphics, corporate branding, indie-rock posters, exhibitions, cars, and monuments—Print helps its audience of designers, art directors, illustrators, photographers, educators, students, and pop culture fans understand how our environment is shaped and why its appearance is significant. Notably, Print underwent a comprehensive redesign in 2005.

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Branding as a System, Not a Campaign: Evolving Legal Identities for the Digital Age – PRINT Magazine

1 week ago | printmag.com | Lynda Decker |Kim Tidwell

Law firms often approach branding as a series of discrete projects—a new logo, a website redesign, or a campaign to launch a practice group. Yet, this piecemeal approach has become increasingly inadequate as the legal landscape undergoes seismic shifts driven by digital transformation, changing client expectations, and market consolidation. The firms that will define the next era of legal marketing aren’t treating brand as a visual refresh or a campaign cycle.
The Daily Heller: Frank Frazetta, the Norman Rockwell of Horror – PRINT Magazine

1 week ago | printmag.com | Steven Heller

Frank Frazetta (1928–2010) was not just a horror magazine artist whose purpose was to create fantasies that scare the bejesus out of the average mortal. He was an artist first, and storyteller second. His art is reminiscent of late 19th-century European symbolism, notably that of the French Odilon Redon and the Austrian Alfred Kubin—but Frazetta’s paintings express an American essence similar to Norman Rockwell (had Rockwell decided to paint menace instead of tranquility).
Carson Ting on Making Career Moves – PRINT Magazine

1 week ago | printmag.com | Kim Tidwell

This week’s guest is illustrator, art director, and fine artist Carson Ting. Ting kicked off his career in Toronto before moving across the country for a dream job at Rethink. Today, he is best known as an artist and founder of Chairman Ting. He’s a bit of a legend in Vancouver, where his murals are plentiful and, on occasion, span entire city blocks. Host Nicola Hamilton catches up with Ting on the heels of a career reset.
Your Adobe Creative Cloud Workflow Gets a Type Upgrade – PRINT Magazine

1 week ago | printmag.com | Kim Tidwell

Monotype and Adobe have announced that 750+ premium Monotype typefaces will be available to Creative Cloud users. The bump in font choice (now totaling over 2,800) includes icons such as Helvetica, Avenir, Gotham, Benton Modern, and FF Din. Also included are many of the most popular fonts from Monotype Foundry Partners worldwide, including multilingual, on-trend, and expressive display fonts. Choice is the obvious benefit—who doesn’t love having more choices?
What Matters to Curt Schreiber – PRINT Magazine

1 week ago | printmag.com | Debbie Millman |Kim Tidwell

Debbie Millman’s ongoing project “What Matters,” an effort to understand the interior life of artists, designers, and creative thinkers, is now in its third year. Each respondent is invited to answer ten identical questions and submit a nonprofessional photograph. Curt Schreiber is the chief creative officer at VSA Partners, a role in which he guides the company’s creative philosophy and establishes design standards.
The Daily Heller: My First Interview With Brad Holland – PRINT Magazine

1 week ago | printmag.com | Steven Heller

The first formal interview I conducted with my old friend Brad Holland was for my 1986 book Innovators of American Illustration (Van Nostrand Rhinehold). It was intended to feature a new wave of conceptual artists whose work was expressive, personal and political, with hints of Surrealist and Expressionist inspiration. The entire book was dedicated to Robert Weaver, who had died in 1991 but was virtually blind when I interviewed him.
Business Design School: The Art of Driving Change – PRINT Magazine

1 week ago | printmag.com | Sam Aquillano |Kim Tidwell

Design doesn’t own innovation — everyone does. The key is embedding it strategically. Maria GiudiceHow can designers lead effectively, drive change inside large organizations, and shape the future of business? I spoke with Maria Giudice, a trailblazing design executive, founder of Hot Studio, and former design leader at Facebook and Autodesk, to explore her journey from artist to entrepreneur to corporate changemaker.
Two Craigs: 45/52 – PRINT Magazine

1 week ago | printmag.com | Craig Frazier |Craig Cutler |Kim Tidwell

Join us for this weekly conversation between photographer Craig Cutler and illustrator Craig Frazier, whose collaboration is a testament to the unexpected alchemy of creative play. The Two Craigs project consists of one weekly prompt interpreted by the pair for 52 weeks. Check out the full series as it unfolds. Go backstage on the Two Craigs website to see how the pair translate the prompt through photography and illustration. Follow along with PRINT, at 2craigs.com, or on Instagram.
The Daily Heller: The Legacy of a Tool Guy – PRINT Magazine

1 week ago | printmag.com | Steven Heller

A native of Texas, Eric Madsen began his design career in Houston before moving to Minneapolis. Following two early partnerships there—Frink, Casey & Madsen, and Madsen & Kuester—he founded The Office of Eric Madsen. Here we discuss why these hyper-realistic drawings and watercolors were so emotionally intense for him, and the reason he crafted such a high-quality book. Who was Carlyle and why does his tool collection get such grand attention? Carlyle was my father-in-law.
I Shot the Tariff – PRINT Magazine

1 week ago | printmag.com | Rob Schwartz |Kim Tidwell

We haven’t got the money, so we’ve got to think. Ernest Rutherford“My 401K just became a 201K.”That was one of the bits of gallows humor I saw late last week as the stock market (and every other store of value) took a colossal plunge. But there’s nothing funny about Trump’s Tariff decree. And as we have already witnessed, this throw-down from the White House bully pulpit will have severe economic consequences across the globe and in every market. It got me thinking about your mindset.