Print, a Quarterly Journal of the Graphic Arts, was first launched in 1940 as a limited edition magazine and has since evolved into a bimonthly publication focused on visual culture and design. In its present form, Print explores and critiques various aspects of commercial, social, and environmental design. It highlights the good, such as the innovative graphics transforming New York’s public-school libraries; the bad, like Tylenol’s poorly received ad campaign aimed at hipsters; and the ugly, including Russia's use of Soviet imagery to market sausage and real estate. This general-interest magazine features articles from cultural journalists and critics who analyze design within its social, political, and historical frameworks. Covering a wide range of topics—from newspapers and book covers to online motion graphics, corporate branding, indie-rock posters, exhibitions, cars, and monuments—Print helps its audience of designers, art directors, illustrators, photographers, educators, students, and pop culture fans understand how our environment is shaped and why its appearance is significant. Notably, Print underwent a comprehensive redesign in 2005.
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Articles
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1 week ago |
printmag.com | Steven Heller
The Daily Heller: Paul Rand’s Wisdom to Welcome SummerPosted inThe Daily Heller Next week, PRINT unveils the winners of its 2024 awards. Each day will be dedicated to the designers and designs that deserve celebration. One consequence, thank you very much, is a week off for The Daily Heller.
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1 week ago |
printmag.com | Kim Tidwell
Why We Should Eat Bugs With Dr. Aaron T. Dossey of All Things BugsPosted inBrands for a Better World In this conversation, Dr. Aaron T. Dossey discusses the surprising amount of land clearing around the globe for agriculture and its detrimental effects on the environment, including biodiversity loss and climate change.
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1 week ago |
printmag.com | Kim Tidwell
This industry perspective is by designer and author Radim Malinic. Over a decade ago, I was on a plane from London to Bali. I’d been awake for 24 hours. Giddy and excited, I was off to surf the biggest waves of my life. When I finally arrived, I should have done what every sensible person does after a 7,800-mile jaunt: go lie down. Instead, I rushed to the beach. There it was: the Indonesian Ocean. Waves every bit as high as I’d hoped.
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1 week ago |
printmag.com | Steven Heller
David Jury is one of the UK’s most prolific type historians/practitioners. He covers the gamut of typographic evolution. Two years ago, his book Mid-Century Type provided students with a concise overview of the slippery slope of functional commercial versus artistic experimental type production—and his new volume, Type Designers of the Twentieth Century, is a welcome addition to the growing library of type origin stories.
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1 week ago |
printmag.com | Jessica Deseo
I recently had the pleasure of sitting down with Priya Prakash, founder of D4SC (Design for Social Change), who is a visionary on the intersection of design, technology, and sustainability. What unfolded was a wonderful conversation touching on everything from her early design education in India to her work with global brands like BBC and Nokia, her leadership in systems thinking, and her role as the jury president for the D&AD Awards.
PRINT journalists
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