Articles

  • 1 week ago | greenpointers.com | Billy McEntee

    Block parties are an essential part of New York culture, creating visible and joyous spaces for communities to gather. They unify neighbors and resist, in an era of rapid gentrification, prejudicial noise complaints and the temptation to stay at home, never getting to know those around you. Thank goodness, then, for Beyond the Black Box (BBB), a block party coming to Greenpoint on May 17.

  • 1 month ago | magazine.holycross.edu | Billy McEntee

    When Julianna Stratton ’26 discovered that she had been accepted into a program in which she would learn about and compose music for film with award-winning professionals over spring break, she was excited — and a little daunted. “For all of us, it was a leap into the unknown,” the music and neuroscience double major said.

  • 1 month ago | greenpointers.com | Billy McEntee

    Faurschou, the gleaming gallery that boasts ample square footage and well-curated contemporary art at 148 Green Street, is “closed for renovations,” per its website. There is not yet a definitive reopening date, though a representative shared it would be closed about a month longer than usual between exhibitions due to necessary HVAC and air conditioning repairs. Future programming could be announced as soon as April. Most recently, the gallery hosted Chinese artist Ai Weiwei.

  • 1 month ago | theatrely.com | Billy McEntee

    Elphaba isn't the only one defying gravity on Broadway. In Death Becomes Her, ensemble member Warren Yang performs crazier splits than a drag queen and tumbles down majestic stairs, in slow motion, in a performance The New York Times called "astonishing." As the musical's leading ladies murder each other — over and over — Yang steps in as the stunt double for aging star Madeline (Megan Hilty), bewigged and blonde, a choice in lockstep with the production's campy style.

  • 2 months ago | newyorktheatreguide.com | Billy McEntee

    People might imagine entering a Broadway theatre and seeing a red velvet curtain, audiences on different floors, and a pit where the orchestra plays. That’s not the case at the Circle in the Square Theatre, particularly for Just in Time, the new Jonathan Groff-led musical playing at that venue this spring. “Just in Time is staged very immersively,” scenic designer Derek McLane told New York Theatre Guide.

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