Articles

  • 1 month ago | stlamerican.com | Chris King

    Programming a chamber music concert on May 5 with Cinco de Mayo as an amorphous organizing principle came off brilliantly in the hands of the Chamber Music Society of St. Louis, who packed the Pillsbury Theatre at 560 Music Center for a long night of lively music on Monday. The generous heaping of varied and tasty music cinched the connection to a holiday of Mexican descent for me.

  • 1 month ago | stlamerican.com | Chris King

    Chamber music is basically house music – music played in private chambers as opposed to in a concert hall. The performance by St. Louis Symphony Orchestra musicians curated by Jelena Dirks, principal oboe, and Peter Henderson, principal keyboard, at the Sheldon Concert Hall on Thursday, April 24 was about as down-home as virtuosic classical musical will ever be. Henderson played a melodic overdose of notes – until they stopped, dead. This was a program of music with breathtaking dead stops.

  • 1 month ago | stlamerican.com | Chris King

    The St. Louis Symphony Orchestra closed out their season of Live at the Pulitzer at the Pulitzer Arts Foundation on Tuesday, April 8 with a program titled Come Closer, curated by composer Christopher Stark. Stark thus completed his second season of programming contemporary classical chamber music with SLSO musicians in response to the museum’s current exhibition. The evocative concert title, borrowed from the final piece of the program and for the season, was bittersweet.

  • 1 month ago | stlamerican.com | Chris King

    Skip to content Posted inArts and entertainment The St. Louis Symphony Orchestra closed out their season of Live at the Pulitzer at the Pulitzer Arts Foundation on Tuesday, April 8 with a program titled Come Closer, curated by composer Christopher Stark. Stark thus completed his second season of programming contemporary classical chamber music with SLSO musicians in response to the museum’s current exhibition. […] Posted inLocal news Posted inLocal news Posted inLocal news Posted inHealth...

  • 2 months ago | stlamerican.com | Chris King

    It was the quietest I have ever heard the St. Louis Symphony Orchestra open a concert, and the loudest I have ever heard them close one. In between, guest tenor Michael Spyres sang poetry for nearly an hour – now in Rimbaud’s French, now in a composer’s own German – while the orchestra shifted shapes around him. The quietest opening: Claude Debussy’s Prelude to the Afternoon of a Faun (1894).

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