Articles

  • 4 weeks ago | classicalvoiceamerica.org | David Shengold

    ‘NEW YORK — The Metropolitan Opera production of Rossini’s Il Barbiere di Siviglia — the seventh re-appearance of Bartlett Sher’s broad, colorful, and mostly successful 2006 staging — returned April 15 and proved a refreshing standout among the house’s revival premieres so far this season. It seemed fully rehearsed, musically cogent, and energized.

  • 2 months ago | classicalvoiceamerica.org | David Shengold |Igor Gorin

    NEW YORK — For a young singer on the rise like Brooklyn native Aryeh Nussbaum Cohen, acing your first hometown solo recital must bring a special thrill. A vociferous crowd in Carnegie Hall’s intimate Weill Hall witnessed that on Feb.

  • Dec 13, 2024 | classicalvoiceamerica.org | David Shengold

    NEW YORK — We who hear music in New York are spoiled by Carnegie Hall programming frequent visits by great orchestras from the U.S. and elsewhere. But last week’s sustained visit by the Czech Philharmonic in honor of Czech Music Year took on the atmosphere of a festival. The orchestra — traditional in aspect: men in tuxes and women in floor-length black dresses — performed under banners and amid floral arrangements, and the dynamic Czech president Petr Pavel attended the Dec.

  • Dec 3, 2024 | classicalvoiceamerica.org | David Shengold |Walter Berry

    NEW YORK — Die Frau ohne Schatten, powerfully revived at the Metropolitan Opera as of Nov. 29, enjoys a cult following in New York City.

  • Nov 29, 2024 | classicalvoiceamerica.org | David Shengold

    PERSPECTIVE — As several articles in The New York Times and Opera (with Opera News) have made clear, opera as an art form has been under attack from bureaucrats and cost-cutters on allends of the British political spectrum as elitist.

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