
Eleanor Sutherland
Creative Producer at Aesthetica Magazine
creative producer @aestheticamag & @asffest | art, autism & comp sci | she / they |
Articles
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4 days ago |
aestheticamagazine.com | Eleanor Sutherland
In March 2025, Forbes reported that ChatGPT had 500 million weekly users – a figure that is only getting bigger. The platform, and others like it, has become a part of many people’s daily lives, but how much do we really know about what goes on behind the scenes? Machine learning software relies on a vast ecosystem that extends far beyond the user-friendly interfaces we see on-screen.
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1 week ago |
aestheticamagazine.com | Eleanor Sutherland
Design Shanghai is one of the biggest events in the global design calendar. This year, from 4-7 June, it expects over 80,000 visitors, with its three conferences welcoming speakers from some of the best-known architecture and design studios: Heatherwick Studio, MAD, Snøhetta, Buro Ole Scheeren and Zaha Hadid Architects. The theme for 2025 is Design for Humanity, spotlighting over 600 pieces from brands spanning over 30 countries and regions.
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1 week ago |
aestheticamagazine.com | Eleanor Sutherland
The Goodwood Art Foundation opens to the public on 31 May 2025 with a clear objective: to establish itself as a serious centre for contemporary art in the UK. Located in West Sussex and set across 70 acres of reimagined landscape, the Foundation’s inaugural season brings together six international artists whose work engages directly with material, context and history.
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1 week ago |
aestheticamagazine.com | Eleanor Sutherland
“Are you listening?” asks London’s Barbican Centre, as it launches a sweeping multi-sensory exhibition centred around sound. Feel the Sound promises to transform the way we think about audio, exploring how listening – in its many forms – “shapes emotions, memories and even physical sensations.” It’s an expansive show that utilises many corners of the Barbican, from its entrance to public foyers to underground car parks.
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2 weeks ago |
aestheticamagazine.com | Eleanor Sutherland
The Serpentine Pavilion has long stood as one of the world’s most visible platforms for architectural experimentation, offering a space where emerging and established practitioners reimagine how we inhabit, experience and connect through built form. Now in its 25th edition, the 2025 Pavilion by Bangladeshi architect Marina Tabassum continues this trajectory with A Capsule in Time – a contemplative, luminous structure that engages deeply with the elemental forces of light, air and time.
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