Articles

  • 2 weeks ago | complex.com | Maya Kotomori

    Take a trip down memory lane on all the best red carpet moments at the Met Gala that left an indelible mark on fashion history. April 30, 2025Marleen Moise/Getty Images, Theo Wargo/Getty Images, Neilson Barnard/Getty ImagesAs the nursery rhyme goes, May marks the end of April showers and the beginning of the month’s flowers. But for New Yorkers, it’s also time for arguably one of the most important cultural events of the year: The Met Gala.

  • 1 month ago | i-d.co | Maya Kotomori

    text by MAYA KOTOMORIphotography LIV SOLOMONLourdes “Lola” Leon, known to the music world as Lolahol, has a single white tulip tucked into her cleavage, a bit of skin-as-accessory, accentuating her black leather jacket and matching low-slung pants.

  • 1 month ago | documentjournal.com | Maya Kotomori

    In ‘Trauma Plot,’ Jamie Hood writes herself whole again Posted Through raw excavation and narrative shape-shifting, Hood transforms her assault wounds into a rebellion against literary conventions Meet Jamie. A book character, a woman, a friend. She is a reliable narrator and someone people would call a survivor; of multiple assaults, of life.

  • 2 months ago | family.style | Sahir Ahmed |Seb Emina |Jane Lewis |Maya Kotomori

    Most mornings for Joan Jonas begin with walking her poodle, Ozu, returning to her loft on Mercer Street, where she has lived and worked for over six decades, and having breakfast. A collector of odd and unassuming things, her home is filled with relics and curiosities that inspire her: drawings and notebooks sprawled across tables, stacks of books, numerous mirrors, time-worn masks, sun-bleached kites, several bird-callers, collected stones, and wooden animal figurines.

  • 2 months ago | family.style | Maya Kotomori |Seb Emina

    Ben Werther’s “Townworld” exists in a place that both is and isn’t. On view at Amanita’s Bowery location through April 20, the artist’s solo exhibition of large-scale acrylic-on-collage works on canvas center on a paradox of site. By creating an aesthetic rooted in his memories and locates it in a fictional world, Werther asks: How do we share a collective memory of a place that doesn’t exist?