The Voice of Fashion
The Voice of Fashion is a digital magazine focused on fashion and design. It stands out in its coverage of the latest fashion trends and its unique perspective on the Indian fashion industry. TVOF offers a variety of content, including news articles, opinion pieces, photo essays, narrative stories, and curated shopping lists. This magazine is rich in informative content, featuring both written articles and videos. Unlike many fashion publications, The Voice of Fashion includes analytical pieces that provide readers with a comprehensive understanding of Indian fashion from both design and political viewpoints. It conducts in-depth interviews with Indian fashion designers through articles and video content, while also examining brand identity and culture in unique ways. With a blend of fashion news and videos that cover both local and international scenes, The Voice of Fashion presents a broad cultural perspective on Indian fashion. It discusses the industry’s business aspects, political influences, design challenges, fashion weeks, key sponsors, and consumer reactions to Indian fashion and designers.
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Global
#608505
India
#64327
Lifestyle/Fashion and Apparel
#895
Articles
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1 week ago |
thevoiceoffashion.com | Tanya Mehta
From curios to style heirlooms, 47-A’s ‘Old is Gold’ exhibition reframes antique-collecting as storytelling in motion
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1 week ago |
thevoiceoffashion.com | Tanya Mehta |Darshita Goyal |Unnati Saini |Snigdha Ahuja
Other fashion-girl catnip includes an impressive array of gold-plated Chanel jewellery comprising chunky chain-link necklaces, a signature medallion belt and unique pieces engraved with their Paris store address—pieces spanning decades but all equally relevant in today’s sartorial dialect. The exhibition also offers a glimpse of lesser known textiles such as raffia, a cloth woven from palm leaves from the Republic of Congo.
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1 week ago |
thevoiceoffashion.com | Shweta Shiware |Shefalee Vasudev |Snigdha Ahuja |Tanishka Aggarwal
In the Market and the MakingWhat is shifting in Ajrakh today is not just its form, but its authorship. Emerging artisan-designers like Mubassirah, Alaicha by Amruta Vankar, Muskan Khatri’s label Musk and Zaid Khatri of Ajrakh Gharana are no longer working behind the scenes for designer labels. They are now creating under their own names, shaping the aesthetic and reclaiming narrative control.
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1 week ago |
thevoiceoffashion.com | Tanishka Aggarwal |Unnati Saini |Snigdha Ahuja |Giya Sood
Tears and LaughterThe book, a laugh-out-loud riot, begins in Mumbai where Garg grew up—the youngest of four siblings, and most rebellious. Raised by an uncompromising father who wants to get her married soon after her mother’s death, a 14-year-old Garg runs away. Sleeping on benches, finding shelter at the homes of acquaintances and often being homeless for over a year, she finally moves to the US to live with her sister and brother-in-law.
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2 weeks ago |
thevoiceoffashion.com | Anannya Sarkar |Shefalee Vasudev
Fashioning a Royal The costume design in both series traces character arcs. Indrani’s organzas are worn thin with age and becomes more structured as she regains control over palace affairs, Abhimanyu’s (Parashar) sherwanis are rumpled and resigned and even Kavya’s (Dogra) more contemporary clothes don’t look designer. Indeed, there are no designer flourishes in the show. Kavya’s choices—mostly kurtas with sharp tailoring—embody her push for relevance in a decaying world.
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