Anannya Sarkar

2 days ago | thevoiceoffashion.com | Unnati Saini |Sohini Dey |Darshita Goyal |Anannya Sarkar

Form and TechniqueDyeing is integral to fashion, adding colour and character to clothes. But eco-printing’s gentle approach sets it apart from chemical processes. The technique uses naturally occurring substances like alum, myrobalan or iron—unlike chemicals tin and chrome used for traditional dyeing —which are beneficial for plant health and can be drained safely. This eliminates the risk of altering marine biodiversity or contaminating water bodies.

3 days ago | thevoiceoffashion.com | Sohini Dey |Anannya Sarkar |Snigdha Ahuja |Darshita Goyal

Saurabh Maurya, designer and co-founder of the label, describes ‘Silent Guardians’ as a research on hidden water distribution systems rooted in the global scarcity of water crisis and the role of infrastructure in ensuring survival. “This collection invites us to reimagine our connection to water—not only as a natural resource but as a mediated experience shaped by the silent, enduring presence of infrastructure,” he says.

2 weeks ago | thevoiceoffashion.com | Anannya Sarkar |Shefalee Vasudev

Fashioning a Royal The costume design in both series traces character arcs. Indrani’s organzas are worn thin with age and becomes more structured as she regains control over palace affairs, Abhimanyu’s (Parashar) sherwanis are rumpled and resigned and even Kavya’s (Dogra) more contemporary clothes don’t look designer. Indeed,  there are no designer flourishes in the show. Kavya’s choices—mostly kurtas with sharp tailoring—embody her push for relevance in a decaying world.

2 weeks ago | thevoiceoffashion.com | Anannya Sarkar |Unnati Saini |Ektaa Malik |Lalitha Suhasini

Wearing an ArchiveCentral to this refusal is the album’s cover and a shoot for the release of the first single from the album. For the cover, Balani uses a sepia-toned photograph of his late grandfather, the artist Khialdas Suratram Balani, and another image of his grandparents  on the back. “I really wanted to put my granddad on the cover. I wanted people to feel inquisitive. That's why, I put the Perso-Arabic Sindhi text on it as well,” says Balani.

1 month ago | thevoiceoffashion.com | Anannya Sarkar

Fashioning ArtA painter trained at The Florence Academy of Art after a tryst with architecture, Bang’s inspiration for his exhibition—a series of 18 canvases—is as layered as the film itself. While oil-on-linen is his medium, the theme is a combination of the push and pull of love, the fire of desire and the eventual heartbreak that his characters feel–one that is not foreign to the artist.