
Olivia Wedderburn
Articles
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Nov 7, 2024 |
mediacatmagazine.co.uk | Eaon Pritchard |Josh McLoughlin |Josh Mcloughlin |Olivia Wedderburn |Giles Lury
I occasionally jest with non-advertising friends who complain about ‘surveillance’ marketing and suchlike; that if they want to avoid being targeted online, forget about adblockers, anti-tracking or VPNs. The one weird trick for invisibility is to set the birth year on your profiles to somewhere between 1965 and 1975, and no advertiser will pay any attention to you.
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Oct 16, 2024 |
mediacatmagazine.co.uk | Paddy Gilmore |Mark Byrne |Emily Fairhead-Keen |Olivia Wedderburn
The long-running embrace of brand purpose increasingly seen as an example of marketers living on another planet. Buying a packet of Rana pasta, for instance, we are told to Live Life Generously, but nothing at all about, y’know, pasta. The epitome of this trend is perhaps The Drum magazine’s slogan Marketing can change the world, which sounds both hilarious and bland at the same time.
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May 13, 2024 |
mediacatmagazine.co.uk | Matt Bennett |Olivia Wedderburn |Giles Lury |Sam Collenette
Stop me if you’ve heard this one before. A brand has a message wrapped in its big ad. It’s about hope or being together. It’s powerful and strives to bring a tear to the eye. It makes you think. It’s worthy and has purpose. And it’s dull. F*cking dull. An example? Gillette’s latest effort is the bland leading the bland. It looks like a collection of boring stock videos to a pretty meh soundtrack.
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Mar 14, 2024 |
mediacatmagazine.co.uk | Olaf van Gerwen |Olivia Wedderburn |Emma Saddleton |Aoife Nicholas
People often say, ‘The definition of insanity is doing the same thing over and over and expecting different results.’ In the case of mid-funnel food and drink advertising, we’re certainly seeing this played out by marketers.
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Mar 12, 2024 |
mediacatmagazine.co.uk | Becks Collins |Emily Fairhead-Keen |Olivia Wedderburn |Grace Gollasch
When trying to come up with modern ‘funny’ brand examples across social media, the same few companies come up, time and again. Duolingo’s angry aggressive TikTok mascot, Ryanair’s self-deprecating videos, Greggs’ tongue-in-cheek limited editions that often go viral (like their 2022 Primark clothing range). Social media is often key to engaging with an audience. Why then, are so few brands using humour effectively?
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